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If you cannot audition with skill you will not work.
The ONLY way to learn is repetition.
The ONLY way to excel is preparation.

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“Gareth's knowledge of the acting craft has been invaluable to me. He has helped me with the most critical aspect of acting, which is to know how to connect with text in a very personal way. He has also taught me how to take concrete information from a script and build a character from there. Most importantly though, Gareth has been a great mentor, encouraging me to be as good as I can be and has helped me to realize my full potential. That, I think is his gift.”

Johann Silva

Ask yourself:-

How can I secure more auditions?
Do I challenge the audition process by offering a fresh perspective on the role?
Am I requested for other projects as a result of a previous audition?
Do I secure 1 in 5 of my auditions?
Does your work contain 100% of you?
Do I give myself permission to be the best I can be?
When I enter an audition room can I put my hand on my heart and say “I deserve this”?
How can I empower myself and test my work?

We will explore

  • In-depth classical and contemporary script analysis
  • Voice work
  • Audition prep and purpose
  • Connectivity to text and character
  • Movement and body language
  • Changing the temperature of the room
  • Using location, text, and imagery as emotional triggers
  • Teachability
  • Actioning/Transitive Verbs (Why am I saying what I’m saying)
  • Simplify and uncover Scene/Super objectives
  • Explore and develop internal monologues/imagery
  • Public Solitude (A vital and often neglected skill)
  • Simple Improvisation (Text and non-text based)
  • Mentoring
  • Professional presentation

‘I love acting because its empowering. It empowers me’
Brian Cranston

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