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If you cannot audition with skill you will not work.
The ONLY way to learn is repetition.
The ONLY way to excel is preparation.

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“These observations were not requested by Gareth –he’s not into feigned praise. Gareth attacks the work (script) with a forensic, relentless enthusiasm. No room for faking here – The script gets the most thorough going over before words are allowed to emerge. Thoroughly approachable and peppering the evening with anecdotes from his not inconsiderable experience as an actor, Gareth draws you in with his passion, his energy and his total commitment. It’s fun, it’s scary, it’s demanding, it’s satisfying.”

Russell Cockrill

Ask yourself:-

How can I secure more auditions?
Do I challenge the audition process by offering a fresh perspective on the role?
Am I requested for other projects as a result of a previous audition?
Do I secure 1 in 5 of my auditions?
Does your work contain 100% of you?
Do I give myself permission to be the best I can be?
When I enter an audition room can I put my hand on my heart and say “I deserve this”?
How can I empower myself and test my work?

We will explore

  • In-depth classical and contemporary script analysis
  • Voice work
  • Audition prep and purpose
  • Connectivity to text and character
  • Movement and body language
  • Changing the temperature of the room
  • Using location, text, and imagery as emotional triggers
  • Teachability
  • Actioning/Transitive Verbs (Why am I saying what I’m saying)
  • Simplify and uncover Scene/Super objectives
  • Explore and develop internal monologues/imagery
  • Public Solitude (A vital and often neglected skill)
  • Simple Improvisation (Text and non-text based)
  • Mentoring
  • Professional presentation

‘I love acting because its empowering. It empowers me’
Brian Cranston

Click here to enquire or to book